![]() |
|
|
Please click here for a description of the afternoon's formatexperience a musical gathering in the Roman Palazzo of the infamous Queen...
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Composer | Who was he? | Piece | Minutes | InfoNerd |
| Andrea Falconieri b Naples, 1585; d Naples, 1656 |
Andrea Falconieri was born in Spanish-ruled Naples. He was a renowned lutenist, guitarist and composer and his passion was Spanish music. | Battallia de Barabasso yerno de Satanas The battle of Barabasso, brother-in-law of Satan |
4 | |
| Bernardo Pasquini b Massa Valdinievole [now Massa e Cozzile, Pistoia],1637; d Rome, 1710 |
Italian composer, harpsichordist and organist. Renowned in his day as a virtuoso keyboard player, he was the most important Italian composer of keyboard music between Frescobaldi and Domenico Scarlatti. | Tocatta and Folia in a minor for solo harpsichord | 6 | |
| Andrea Falconieri b Naples, 1585; d Naples, 1656 |
Andrea Falconieri was born in Spanish-ruled Naples. He was a renowned lutenist, guitarist and composer and his passion was Spanish music. | Folias echa para mi Señora Dona Tarolilla de Carallenos Folias written for my mistress Mme Tarolila de Carallenos |
4 | |
| Arcangelo Corelli b Fusignano, 1653; d Rome, 1713 |
Corelli was a very innovative figure, and a stunning violinist. He also the first composer to owe his reputation (mostly) to music publishing, and the first to produce classic instrumental works which were admired and studied long after their idiom became outmoded. | FoliasOpV | 12 | |
| Arcangelo Corelli b Fusignano, 1653; d Rome, 1713 |
Corelli was a very innovative figure, and a stunning violinist. He also the first composer to owe his reputation (mostly) to music publishing, and the first to produce classic instrumental works which were admired and studied long after their idiom became outmoded. | Trio sonata Op. II, Nr.XII Ciaccona | 7 | Angelo Michele Bartolotti b Bologna, early 17th century; d ?Paris, after 1668 |
Italian composer, guitarist and theorbo player. After publishing two books of his guitar music in Italy, Bartolotti moved to Paris. In France Bartolotti was admired principally as a theorbo player and without doubt the most skillfull theorbo player in France and Italy. | Ciaccona in C major | 6 |
| Arcangelo Corelli b Fusignano, 1653; d Rome, 1713 |
Corelli was a very innovative figure, and a stunning violinist. He also the first composer to owe his reputation (mostly) to music publishing, and the first to produce classic instrumental works which were admired and studied long after their idiom became outmoded. | Trio sonata Op. I, Nr.IX da chiesa | 7 | |
| Improvisation | As was the custom in the baroque, Realm of music will improvise on the Tarantella theme. This theme was notated by a German musician, Athanasius Kircher in Rome in the 1640s. | Tarantella Napolitana Tono Hypodorio | 4 |
| Presented by | |||
Penelope Spencer
|
Oliver Webber
|
Lynda Sayce
|
Silas Standage
|
The event will begin with a tea/coffee and buns served in the vestibule. You and your guests will then be ushered through to the Hall, to enjoy an hour of masterful 18th century music performed on original instruments, in a beautiful space ideally suited to this intimate and extraordinary music. During the concert, you can sit back and let the musicians guide you through the music, with brief and friendly introductions to the pieces.
Every person who enters the Realm of Music also receives a 'listening pack' specifically tailored to the event. A concept unique to Realm of Music, this package of colourful cards presented in an attractive graphical format, can help you enjoy the music even more by showing you what to listen out for.
The post-concert reception presents an ideal setting for socializing as well as a great chance to meet up with the musicians and other people involved in creating this unique event.