Realm of Music
 

Corporate Events
back to The Socio-Political Situation on to Musical Concepts and Classifications

Musical Concepts: Cultural-Historic Foundations

baroque guitar lute and theorbo viola da gamba baroque violin baroque flute harpsichord

National Styles emerge

The Baroque style arose in Italy; baroque architecture in particular in Rome (St. Peters), art and music especially in north Italy (Venice). As opposed to the renaissance, national styles become very apparent in the baroque era. Nevertheless, Italian musicians dominate the whole of Europe (especially in Opera). In the 18th century, the Baroque era comes to an end with the belief in progress and the enlightenment and a new view on nature. Instead of placing the emphasis on development, the baroque revels in the pleasure of lively repetitions, variations and ornamentation; everything is simultaneously moving, and at rest, like a Roman fountain. Consciousness of the moment, uniform representation of the 'affect' (mood), rest and movement are just as present in church's architecture as in a Bach Fugue.

A symbolic world-theatre

Fantasy and illusion separate art from nature and reality, and bring the later to a higher plane: a painting of heaven on a domed ceiling, fantastical landscape scenes, stylized dances, operas and ballets that last for hours. Man is striving for an all-encompassing artwork. In churches and palaces architecture, art, literature, (and garden-planning in palace grounds) work together to impose this illusionary and at the same time deeply meaningful and symbolic world theatre on the people.

'Stylized' emotions are portrayed

In the same way that baroque art portrays man, baroque music represents man's feelings and emotions. People still see themselves as a small part of the greater whole and not yet as individuals with personal freedom. Baroque music does not represent actual personal feelings but a stylized version of general human emotions. Above all the question of ratio motivates many areas: in the numerology, the functional harmony (figured bass), the structure of the forms, the contrapuntal tradition but also in the unnatural, scientific division of the octave in the tempered tuning system developed by Stevin and Werckmeister.

back to The Socio-Political Situation on to Musical Concepts and Classifications